4 edition of Ursula von Rydingsvard found in the catalog.
|Contributions||Galerie Lelong (Zürich, Switzerland), Galerie Lelong (New York, N.Y.)|
|The Physical Object|
|Pagination||40 p. :|
|Number of Pages||40|
Ursula von Rydingsvard works on a monumental scale. For over thirty years, she has worked with red cedar, a soft and fragrant wood. Using both carving and construction techniques she painstakingly cuts, assembles, and glues the cedar beams which have been shaped by a circular saw. The Sculpture of Ursula von Rydingsvard includes texts by Dore Ashton, Marek Bartelik, and Matti Megged, along with an illustrated chronology, lists of solo exhibitions and public collections, bibliography, and index.
Ursula von Rydingsvard’s massive sculptures reveal the trace of the human hand and resemble wooden bowls, tools, and walls that seem to echo the artist’s family heritage in pre-industrial Poland before World War II. She builds towering cedar structures, creating an intricate network of individual beams and sensuous, puzzle-like surfaces. Ursula von Rydingsvard: The Contour of Feeling presents the artist’s monumental cedar wood sculptures alongside newer works for the first time. The poetic and expressive works, which also use leather, linen, and other organic materials, reveal the process by which von Rydingsvard gives outward visual form to her innermost ideas and emotions.
Ursula von Rydingsvard. K likes. Artist. Facebook is showing information to help you better understand the purpose of a ers: K. An internationally recognized sculptor, Ursula Von Rydingsvard creates large-scale, sometimes monumental abstract forms that resemble geological formations, landscapes, giant vessels, elements of the body, or walls that evoke her experience growing up in Nazi slave-labor and refugee ality: German.
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I love the topic: the sculpture of Ursula von Rydingsvard, so I had to give this book at least 3 stars. I am less than satisfied with the way the author continually refers to elements of Ms.
von Rydingsvard's remarkable history rather than art history. I wonder how many readers would be interested to know more of the artist's interest by: 1. This beautifully produced catalog surveys the past thirty years of Ursula von Rydingsvard s immense abstract sculptures, often shaped from cedar beams.
Von Rydingsvard's massive sculptures reveal the trace of the human hand and resemble wooden bowls, tools, and walls that seem to echo the artist's Polish by: 1.
Featuring more than twenty-five sculptures that highlight the artist’s evolution, as well as a new leatherwork sculpture created in collaboration with the Fabric Workshop and Museum, an extensive interview between Mark Rosenthal and the artist, and an essay by von Rydingsvard titled “Why I Make Art,” this book provides a window into the artist's unique 4/5(1).
The Sculpture of Ursula von Rydingsvard Hardcover – October 1, by Dore Ashton (Author), Marek Bartelik (Author)Cited by: 2.
The book Ursula von Rydingsvard: The Contour of Feeling, Edited by The Fabric Workshop and Museum is published by Hirmer Publishers. Ursula von Rydingsvard: Socks on My Spoons [exhibition: Nov. 4 - Dec. 15, ] [Ursula von Rydingsvard, Betsy Siersma] on *FREE* shipping on qualifying offers.
Ursula von Rydingsvard: Socks on My Spoons [exhibition: Nov. 4 - Dec. 15, ]5/5(2). Book with no words II, Cedar, linen, and leather x 63 x 47 in. MAIN IMAGE. Ursula von Ursula von Rydingsvard book is the daughter of a woodcutter from a long line of peasant farmers.
And if that sounds like the beginning of a Brothers Grimm fairy tale, it isn’t. Sculptor Ursula von Rydingsvard fuses a labor-intensive process with personal reflection to construct evocative and monumental abstract works from cedar wood. Von Rydingsvard was born in Germany to Polish and Ukrainian parents, peasant farmers who worked in forced labor under the Nazis during World War II.
“Ursula von Rydingsvard at Rosa Esman.” Art in America, May Gerrit Henry “6 Sculptors” Art News, September Nancy Princenthal.
“Ursula von Rydingsvard.” The New York Times, November 5, Grace Glueck. “Art People.” The New York Times, Grace Glueck “Ursula von Rydingsvard.” The New York.
Von Rydingsvard: Mining the Unconscious. Madison Art Center, Madison, WI, Shirley, David A. Masters of the Masters: MFA Faculty of the.
“Ursula von Rydingsvard at the Fabric Workshop and Museum, Philadelphia.” Blouin ArtInfo. Aug Adamson, Glenn. “Ursula von Rydingsvard at the Height of Her Powers.” Frieze Magazine.
J Cascone, Sarah and Caroline Goldstein. “Shows. Shows. Shows. 34 New York Must-See Gallery Exhibitions to See This May.” artnet. Unlike the clippings of fabric, the bowls or other tools that Von Rydingsvard has fabricated in cedar, Book with no words () is a work which implies a hidden or missing knowledge that is unattainable.
Viewed in comparison to the massive blank lead tomes of Anselm Kiefer currently on view at Rockefeller center, Von Rydingsvard’s book is delicate with its thin sheets of wood. About this Item: Exit Art, N.Y.Unbound.
Condition: As New. First Edition. This is an original piece of art made of wood & metal in shape of a spoon by the artist/sculptor Ursula von Rydingsvard (); Limited Edition to approx.
25; each of the multiples are unique because the handles are hand carved; it is not signed -as issued; it is /2in long; top handle is hand. Special Insight Film Event with Ursula von Rydingsvard - (The Rockefeller University) ELIZABETH GREENFIELD ZEIDMAN LECTURE – (Moore College) Ursula von Rydingsvard: SCIENTIA Dedication and Artist Talk – (McGovern Institute) Ursula von Rydingsvard – Over a remarkable four-decade-long career, Ursula von Rydingsvard has become one of the most influential sculptors working today.
She is best known for creating large-scale, often monumental sculpture from cedar beams, which she painstakingly cuts, assembles, and laminates before finally rubbing a graphite patina into the work’s textured, faceted surfaces.
Ursula von Rydingsvard is finding new ways to deepen her three-dimensional spaces: the cavities and protuberances in her recent works recall beaks, balls, mouths, and armpits— irregular human and animal body parts that nevertheless seem familiar.
Niches and caverns open out or suck you in; appendages curve pre- cipitously around the main body. A pair of monumental works by one of the most influential sculptors working today. The sculpture is called “Ona” and is the work of Ursula von Rydingsvard. It’s a foot-high, abstract, bronze sculpture, based on a.
Ursula von Rydingsvard is on Facebook. Join Facebook to connect with Ursula von Rydingsvard and others you may know.
Facebook gives people the power to share and makes the world more open and tion: Founder & Chief Executive Officer. COVID Resources. Reliable information about the coronavirus (COVID) is available from the World Health Organization (current situation, international travel).Numerous and frequently-updated resource results are available from this ’s WebJunction has pulled together information and resources to assist library staff as they consider how to handle .Ursula von Rydingsvard discusses how she came to live in the United States, and the ways in which her earliest memories inform her work.Ursula von Rydingsvard was born in Deensen, Germany, in She received a BA and an MA from the University of Miami, Coral Gables (), an MFA from Columbia University (), and an honorary doctorate from the Maryland Institute College of Art, Baltimore ().
Von Rydingsvard’s massive.